Presentation / Publisher's Foreword
Hoquet is the scientific magazine of the Superior Conservatory of Music of Málaga, published since June 2001 (ISSN: 1577-8290). As of 2013, the publication is presented exclusively in digital format (ISSN: 2340-454X). The frequency of this scientific dissemination tool is annual.
Hoquet is the Annual Journal of the Malaga Conservatory of Music since June 2001 (ISSN: 1577-8290). Since 2013 onwards, it is exclusively published through digital access. (ISSN: 2340-454X).
Indexing / Indexing
- latindex
(Regional online information system) - Dialnet
(Portal for the dissemination of Hispanic scientific production) - CIRC
(Integrated Classification of Scientific Journals) - Rebiun
(Network of Spanish University Libraries) - CSIC Library and Archives Network
(Superior Council of Scientific Investigations) - Miar
(Information Matrix for Magazine Analysis) - Rilm
(Répertoire International de Littérature Musicale) - Bime
(Spanish Musical Bibliography) - worldcat
(Online Computer Library Center) - National Library of Spain
(BNE Catalog) - CDMA
(Andalusian Musical Documentation Center) - Andalusia Library
(Andalusian system of libraries and documentation centers of Andalusia) - Academic google
History and Content / History and content
Its foundation was determined by the need to provide the Faculty of this center, and the set of departments that comprise it, with an instrument of scientific expression and communication with the rest of the educational community and with the specialized reader in general. All of this without denying space in its pages to reflect on the reality of musical education in our environment (Andalusian and national), especially at this time when the aim is to normalize the situation of higher musical studies in their homologation. with university students.
After a career of more than a decade, Hoquet's pages have been open both to the Conservatory's teaching staff and to authors outside it, as well as to works of any kind, as long as they are related to that eminently interdisciplinary science that is Musicology. , advocating quality and plurality.
In order to cover other important topics related to global music research, since the 2020/21 academic year, the magazine opens its editorial line to the human and social sciences. Therefore, in addition to the plot prism that has been carried out so far, topics on cultural anthropology, education or psychology of music, among others, will be accepted. Likewise, works in Spanish, Italian and English are accepted. From these premises it is intended to provide Hoquet with a broader perspective, with international views and with greater projection with respect to all related scientific fields. The articles presented must also be original. Interviews with relevant personalities are accepted, as long as they are accompanied by research work that justifies them.
Its foundation aimed to meet the need to provide scientific tools to the Staff and their respective Departments so as to become as an effective educational community outreach and specialized readers' platform. Notwithstanding current teaching backgrounds issues (both national and Andalusian recognition ones) that are in process of their qualifications as equivalent.
After more than one decade of experience, Hoquet is now open both the teaching Staff of the Conservatory and authors from outside it, as well as to works of any purpose, provided that they are related to the interdisciplinary science such as Musicology is, putting quality and plurality first. Papers submitted must also be original. Interviews with relevant personalities are suitable for the journal as long as they are attached to a research paper on which to base.
Currently, the journal is open to other fields of music that enable scientific impact studies in order to provide the publication with a wider scope and with more projection.
Reception of work / Work's reception
To send contributions, contact José David Guillén Monje (Director/Editor):
Málaga Higher Conservatory of Music.
Plaza Maestro Artola, 2. 29013, Málaga (Spain).
Or through an email to the following address:
hoquet@conservatoriosuperiormalaga.com
The deadline for receiving articles ends on the first Monday in June. The articles received will be examined by the Editorial Board and valued based on their suitability to the thematic line of the Journal and their own merits. The arbitration system uses the scientific committee and evaluators external to the entity. The communication of the rejection or acceptance of the articles will be the first Monday in September. For its final publication, the authors may be asked for some modifications related, basically, to editorial aspects.
To submit papers, please contact José David Guillén Monje:
Málaga Higher Conservatory of Music.
Plaza Maestro Artola, 2. 29013, Málaga (Spain).
Or by sending an email to the following address:
hoquet@conservatoriosuperiormalaga.com
Deadline for submission of papers is the first Monday in June. Editorial board provide authors with fair and thoughtful submission and seek advice from scientific advisors, usually independent specialists and external assessors. Accepted or rejected articles notifications will be set the first Monday in September. Revisions may be required after acceptance so that the text is readable and clear enough to be published definitively.
Organizational Chart
Editorial Board-Editorial / Editorial Board-Committee
José David Guillén Monje –Director–.
Málaga Higher Conservatory of Music (Spain).
María José de la Torre Molina –Editor–.
University of Malaga (Spain).
Rubén Díez García –Associate editor–.
Málaga Higher Conservatory of Music (Spain).
Cecilia Platero Navas –Secretary–.
Málaga Higher Conservatory of Music (Spain).
Scientific Committee / Scientific Advisor Committee
Silvia Bruni.
Jagiellonski University of Krakow (Poland).
María del Rosario Hernández Iznaga.
Dean of the Faculty of Music of the University of the Arts of Havana (Cuba).
Enric Madriguera.
University of Texas at Dallas (USA).
Marek Szlezer.
Pianist. Krzysztof Penderecki Music Academy in Krakow (Poland).
Maria Pia Cellerino.
Artistic director of the Associazione Euterpe Angri of Avelino (Italy).
Fernando M. Anaya-Gámez.
Malaga University. Collaborator of the Malaga Philharmonic Orchestra (Spain).
Alicia González Sánchez.
“Victoria Eugenia” Higher Conservatory of Music of Granada (Spain).
Eva Margarita Gallardo Camacho.
Antequera Conservatory of Music (Spain).
Antonio González Portillo.
“Victoria Eugenia” Higher Conservatory of Music of Granada (Spain).
Cristina Strike Campuzano.
“Rafael Orozco” Higher Conservatory of Music in Córdoba (Spain).
Salvador Daza Palacios.
Conservatory of Music of Jerez de la Frontera (Spain).
Observations / Disclaimer
The Conservatorio Superior de Málaga and the Editorial Board of Hoquet magazine do not necessarily share the opinions expressed by their collaborators in the articles and published works, nor are they responsible in any case for them. The signatories of the articles and published works are independent authors and solely responsible for their contents.
Non-commercial reproduction of Hoquet's articles is permitted, always indicating their origin and authorship.
The publication of the online magazine is open access, and can be consulted on the website of the Superior Conservatory of Music of Málaga or on the various platforms indicated above.
The views, information, or opinions expressed in the articles are solely those of the individuals involved and do not necessarily represent those of Malaga Conservatory of Music and its Editorial Board.
This license allows users to distribute for non-commercial purposes only, and only so long as attribution is given to the creator.
The online publication magazine is open access, and can be consulted on the website of the Conservatorio Superior de Música de Málaga or on the various platforms indicated above. This is an open access journal, freely available without charge to the user or his institution
