HOQUET Magazine No. 10, 2012
Articles:
- Sound art as asexual art. The construction of female identity through 20th century music , by Carmen Gaitán Salinas
- Historical aspects about musical synesthetic thinking: the ocular harpsichord and the light-sound work of Skriabin , by Bohdan Syroyid
- The Italian madrigal from its beginning to its fullness , by Naser Rodríguez García
- Joaquín Rodrigo, success and the media , by Juan Carlos Almendros Baca
- Xavier Montsalvatge: Formal-interpretative analysis of the first movement (Vigoroso) of the original Sonata Concertante for cello and piano. Brief technical-pedagogical analysis of the remaining movements transcribed in the work Paraphrasis Concertante for violin and piano , by Sergio Martínez González / Alejandro Martínez González / María de los Ángeles Martínez González
- Analysis as a tool for approaching contemporary music , by María Dolores Romero Ortiz
- Pre-compositional processes, organized chaos and improvisation and composition in real time , by Reyes Oteo Fernández