Teaching guides 23-24
FINAL DEGREE PROJECT
Singing Specialty
Composition Specialty
Conducting Specialty: Orchestral Conducting
Guitar Specialty
Piano Specialty
Performance Specialty: Jazz Instruments
Performance Specialty: Symphonic Instruments
SUBJECTS
Accompaniment: Guitar
Vocal and instrumental accompaniment: Piano I and II
Acquisition of knowledge of musical performance: a neuroscientific perspective
Piano tuning and adjustment I and II
Analysis of contemporary music
Analysis of 20th century music
Phenomenological analysis of interpretation I and II
Analysis I and II
Basic harmony
Harmony: Composition I, II and III
Harmony: Orchestral Conducting
Harmony: Jazz I and II
Jazz Arrangements I and II
Jazz Drums (Optional) I and II
Composition for audiovisual media I and II
Composition for electroacoustic media I and II
Composition I, II, III and IV
Jazz Composition I and II
Concertation: Canto I and II
Concertation: Orchestra conducting
Jazz Ensemble (Combo) I, II, III and IV
Counterpoint: Orchestral Conducting
Counterpoint and fugue I, II and III
COVER. Creativity aimed at covering recent styles
Creativity and improvisation I and II
Music teaching I and II
Choir direction I and II
Orchestra conducting I and II
Band direction and repertoire
Sheet music editing
Jazz Ear Education
Brass and percussion ensemble I and II
Early music ensemble I and II
Ergonomics I and II
Lyrical scene I and II
Gender studies applied to music
Ethnomusicology
Evolution of literature and singing technique
Evolution of guitar literature and technique
Evolution of piano literature and technique I
Evolution of piano literature and technique II
Phonetics and languages applied to singing I, II, III and IV
Phonetics and languages applied to singing: Orchestra conducting
Musical ear training
Fortepiano I
Fortepiano II
Composition Fundamentals I and II
Fundamentals of choral and instrumental conducting I and II
Large groups I and II
History of music I
History of music II
History of Jazz
History of musical thought
Jazz Improvisation I, II, III and IV
Free Improvisation and Performance (Optional)
Instrumentation: Composition: I, II, III and IV
Instrumentation: Orchestral Conducting I and II
Related instruments: Harp I and II
Related instruments: Clarinet I and II
Related instruments: Double bass (violone) I and II
Related instruments: Bassoon I and II
Related instruments: Flute I and II
Related instruments: Oboe I and II
Related instruments: Percussion I and II
Related instruments: Piano I and II
Related instruments: Saxophone I and II
Related instruments: Trombone I and II
Related instruments: Horn I and II
Related instruments: Trumpet I and II
Related instruments: Tuba I and II
Related instruments: Viola (baroque viola) I and II
Related instruments: Viola (violin) I and II
Related instruments: Violin (viola) I and II
Related instruments: Violin (baroque violin) I and II
Related instruments: Cello I and II
Italian applied to music I and II
English language I and II
Language and music theory
Investigation methodology
Andalusian and Spanish music
Chamber music I, II, III and IV. Reference List
Ensemble music I and II
Notation and transcription
Organology and acoustics
Jazz Orchestra (Big Band) I and II
Jazz Orchestra (Big Band - Optional) I and II
Critical perception and listening commentary
Jazz Piano: second instrument I and II
Jazz Piano (Optional)
Harmonic practice on polyphonic instruments: Song I and II
Harmonic practice on polyphonic instruments: Composition I and II
Harmonic practice on polyphonic instruments: Direction I, II, III and IV
Specialized chamber project I and II
Score reduction: Composition and Orchestral Conducting I and II
Score reduction: Piano
Reduction and transcription: Guitar
Repentization and transposition: Guitar I and II
Repentization and transposition: Piano and Conducting I and II
Repertoire with orchestra I and II
Repertoire with accompanying pianist: Harp I, II, III and IV
Repertoire with accompanying pianist: Canto I, II, III and IV
Repertoire with accompanying pianist: Clarinet I, II, III and IV
Repertoire with accompanying pianist: Double bass I, II, III and IV
Repertoire with accompanying pianist: Bassoon I, II, III and IV
Repertoire with accompanying pianist: Flute I, II, III and IV
Repertoire with accompanying pianist: Guitar I and II
Repertoire with accompanying pianist: Oboe I, II, III and IV
Repertoire with accompanying pianist: Percussion I, II, III and IV
Repertoire with accompanying pianist: Piano I and II
Repertoire with accompanying pianist: Saxophone I, II, III and IV
Repertoire with accompanying pianist: Trombone I, II, III and IV
Repertoire with accompanying pianist: Horn I, II, III and IV
Repertoire with accompanying pianist: Trumpet I, II, III and IV
Repertoire with accompanying pianist: Tuba I, II, III and IV
Repertoire with accompanying pianist: Viola I, II, III, IV
Repertoire with accompanying pianist: Violin I, II, III and IV
Repertoire with accompanying pianist: Cello I, II, III and IV
Orchestral repertoire: Harp I, II, III and IV
Orchestral repertoire: Clarinet I, II, III and IV
Orchestral repertoire: Double bass I, II, III and IV
Orchestral repertoire: Bassoon I, II, III and IV
Orchestral repertoire: Flute I, II, III and IV
Orchestral repertoire: Oboe I, II, III and IV
Orchestral repertoire: Percussion I, II, III and IV
Orchestral repertoire: Saxophone I, II, III and IV
Orchestral repertoire: Trombone I, II, III and IV
Orchestral repertoire: Horn I, II, III and IV
Orchestral repertoire: Trumpet I, II, III and IV
Orchestral repertoire: Tuba I, II, III and IV
Orchestral repertoire: Viola I, II, III and IV
Orchestral repertoire: Violin I, II, III, IV
Orchestral repertoire: Cello I, II, III and IV
Contemporary piano repertoire
Jazz Rhythm
Second instrument I and II
Second instrument Jazz I and II
Sociology and aesthetics of music
Sonology
Tablature
Interpretation workshop I and II
Contemporary music workshop
Body technique
Technique and interpretation of the instrument: Harp I, II, III and IV
Technique and interpretation of the instrument: Jazz Drums I, II, III and IV
Technique and interpretation of the instrument: Canto I, II, III and IV
Technique and interpretation of the instrument: Double bass I, II, III and IV
Technique and interpretation of the instrument: Jazz Double Bass I, II, III and IV
Technique and interpretation of the instrument: Clarinet I, II, III and IV
Technique and interpretation of the instrument: Bassoon I, II, III and IV
Technique and interpretation of the instrument: Flute I, II, III and IV
Technique and interpretation of the instrument: Guitar I, II, III and IV
Technique and interpretation of the instrument: Jazz Guitar I, II, III and IV
Technique and interpretation of the instrument: Oboe I, II, III and IV
Technique and interpretation of the instrument: Organ I
Technique and interpretation of the instrument: Piano I, II, III and IV
Technique and interpretation of the instrument: Jazz Piano I, II, III and IV
Technique and interpretation of the instrument: Percussion I, II, III and IV
Technique and interpretation of the instrument: Saxophone I, II, III and IV
Technique and interpretation of the instrument: Jazz Saxophone I, II, III and IV
Technique and interpretation of the instrument: Trombone I, II, III and IV
Technique and interpretation of the instrument: Horn I, II, III and IV
Technique and interpretation of the instrument: Trumpet I, II, III and IV
Technique and interpretation of the instrument: Tuba I, II, III and IV
Technique and interpretation of the instrument: Viola I, II, III and IV
Technique and interpretation of the instrument: Violin I, II, III and IV
Technique and interpretation of the instrument: Cello I, II, III and IV
Gesture technique of direction I and II
Vocal technique: Orchestra conducting
Jazz arranging techniques
Computer technologies applied to music I and II
Jazz Theory
Latest musical trends